PK 7{ftb tb refs.MYD i~? Alricsson, M.
Werner, S. 2004 The effect of pre-season dance training on physical indices and back pain in elite cross-country skiers: a prospective controlled intervention study 148-53 Br J Sports Med 38 2" Adolescent
Adult
Ankle Joint/physiology
Back Pain/etiology/*prevention & control
Dancing/*physiology
Female
Hip Joint/physiology
Humans
Male
Muscle, Skeletal/physiology
Physical Fitness/physiology
Pliability
Prospective Studies
Range of Motion, Articular
Skiing/*physiology
Spine/physiology Apr? OBJECTIVE: To evaluate the effect of pre-season dance training on back pain, joint mobility, and muscle flexibility, and on speed and agility in elite cross-country skiers. METHODS: 26 skiers participated (mean (SD) age, 19 (3.9) years). An intervention group (n = 16) had 12 weeks of dance training; a control group (n = 10) did not dance; otherwise both groups followed a similar pre-season physical training programme. Joint mobility and muscle flexibility of the spine, hip, and ankle were measured. Two sports related functional tests (slalom and hurdle) were also done. All measurements/tests were carried out before and after the dancing period. RESULTS: Four (of six) subjects from the intervention group who initially complained of ski related back pain did not report back pain after the dance training; the three subjects with back pain from the control group were unchanged. At study onset the intervention group had a slightly impaired range of motion in the spine compared with the control group. After dance training, there was a better relation between kyphosis of the thoracic spine and lordosis of the lumbar spine, and a 7.1 degrees increase in hip flexion with the knee extended (p = 0.02). In the control group hip extension decreased by 0.08 m on average (p = 0.01). No positive effects of dance training on sports related functional tests were observed. CONCLUSIONS: Preseason dance training improved the range of hip motion and joint mobility and the flexibility of the spine. These improvements might explain the reduction in ski related back pain in the intervention group.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15039249 B 0306-3674
Clinical Trial
Controlled Clinical Trial
Journal Article 15039249X Karolinska Institutionen for Kururgisk Vetenskap, Stockholm, Sweden. Ericksson@telia.com~? , Kadel, N.
Boenisch, M.
Teitz, C.
Trepman, E. 20056 Stability of Lisfranc joints in ballet pointe position 394-400 Foot Ankle Int 26 5 May BACKGROUND: Ballerinas develop stress fractures at the second metatarsal base associated with dancing en pointe. The purpose of this study was to evaluate the relative importance of the pointe shoe and the tarsometatarsal ligaments in Lisfranc joint stability en pointe. METHODS: Eleven cadaver feet were dressed with pointe shoes, loaded in foot flat with ligaments intact, and loaded en pointe before and after sequential sectioning of the dorsal, interosseous, and plantar ligaments between the first and second metatarsals and cuneiforms. Relative motion between the first and second metatarsals and cuneiforms was determined radiographically. RESULTS: No significant displacement of the Lisfranc joints occurred when the shod foot with intact ligaments was loaded in the foot flat or en pointe positions. Serial sectioning of the ligaments from dorsal to plantar in the shod foot en pointe demonstrated no change in alignment after the dorsal and interosseous ligaments were cut, but a significant change in alignment between the second metatarsal and second cuneiform was noted after the plantar ligament was cut (p < 0.0001). Removal of the pointe shoe after cutting the ligaments and applying a minimal (1 to 2 kg) load resulted in complete subluxation and diastasis through the first-second intermetatarsal and intercuneiform region. Replacing the shoe improved alignment en pointe with similar loading. CONCLUSIONS: Both the pointe shoe and Lisfranc ligaments are important for Lisfranc region stability in feet en pointe. The plantar ligaments are major stabilizers of the Lisfranc region in the loaded, shod foot en pointe. Selection of a pointe shoe with adequate support may limit susceptibility to stress fracture of the second metatarsal base in ballerinas.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15913525 1071-1007
Journal Article 15913525 Department of Orthopaedics and Sports Medicine, University of Washington, 1959 NE Pacific Street, Box 356500, Seattle, WA 98195, USA. kadel@u.washington.edu
~? . McCormack, M.
Briggs, J.
Hakim, A.
Grahame, R. 2004c Joint laxity and the benign joint hypermobility syndrome in student and professional ballet dancers 173-8 J Rheumatol 31 1
Arthralgia/diagnosis/epidemiology/physiopathology
*Dancing
Female
Humans
Joint Instability/*diagnosis/*epidemiology/physiopathology
Male
Occupational Diseases/*diagnosis/*epidemiology/physiopathology
Prevalence
Research Support, Non-U.S. Gov't
Sex Distribution
Students Jani OBJECTIVE: To ascertain the prevalence of hypermobility and the benign joint hypermobility syndrome (BJHS) in male and female student and professional ballet dancers, and explore whether BJHS has any effect on a dance career. METHODS: Students from the Royal Ballet School and professional dancers from the Royal Ballet Company, London, were compared with a control group of teenagers and adults from a local secondary school and The Royal Opera House, respectively. The data, examined by variance analysis, included anthropometric variables, the Beighton score, and clinical features constituting BJHS. Odds ratios for hypermobility and BJHS in dancers were calculated, and the prevalence and distribution of BJHS was examined. RESULTS: Hypermobility and BJHS were common in male and female dancers compared with controls. An OR of 11.0 (95% CI 3.3-31.8) was found for hypermobility in dancers for both the ballet school and the professional company. The prevalence of BJHS was found to decline both from student to professional and within the ballet company from corps de ballet to Principal. Odds ratios for BJHS in student dancers were significant, OR = 3.9 (95% CI 1.3-11.3), but not so in professional dancers: OR = 1.7 (95% CI 0.6-4.7). Arthralgia was common in dancers and was reported more often in males than females. In females, pain was reported most by dancers with other features of BJHS, in particular stretchy skin. CONCLUSION: Hypermobility and BJHS are common in both male and female student and professional ballet dancers. The fall in prevalence, and the greater reporting of arthralgia with other features of BJHS in young female dancers, suggests that BJHS may have an important negative influence, and this may have implications for training. The same pattern was not observed in males, suggesting that their pain-reporting and injury are related to factors other than BJHS.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=14705238 0315-162x
Journal Article 14705238, Royal Ballet School, London, United Kingdom. ~? , Wainwright, S. P.
Williams, C.
Turner, B. S. 20052 Fractured identities: injury and the balletic body 49-66 Health (London) 9 1 Jan Social worlds shape human bodies and so it is inevitable that there are strong relationships between the body, professional dance and identity. In this article we draw on Bourdieu's notions of habitus, and various forms of capital, as the main theoretical framework for our discussion. Our ethnography of the balletic body elicited dancers and ex-dancers' perceptions of their bodies and sought to reveal some of the facets of their embodied habitus. The sheer physicality of their working lives - of feeling exhausted, sweaty and out of breath - is something dancers (like all athletes) become 'addicted to'. Ageing and injury can reveal this compulsion to dance and so dancers invariably find it very difficult to, for example, give up class once they retire from the stage; or miss a performance if they have a 'slight injury'. In other words, the vocational calling to dance is so overwhelming that their balletic body is their identity. In addition, there is an unremitting loop between individual habitus and institutional habitus (the ballet company), which affects both the meaning and management of injury. All our informants at the Royal Ballet (London: n = 20) had suffered dance injuries. The injured, dancing body is perceived as an inevitable part of a career in ballet. Everyone spoke of the improved athleticism of dancers, and of the expansion in facilities to maintain healthy dancers. However, most dancers can expect several major injuries during their careers. Such epiphanies force dancers to confront their embodiment, and their thoughts invariably turn to their body, career and self. Critical injuries threaten to terminate a dancer's career and so endanger their embodied sense of self. On a more everyday level, dancing and performing with painful, niggling injuries is the norm.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15576424 1363-4593
Journal Article 15576424^ Florence Nightingale School of Nursing, King's College London, UK. steven.wainwright@kcl.ac.uk~? Brown, T. D.
Micheli, L. J. 2004 Foot and ankle injuries in dance 303-9 Am J Orthop 33 6' Ankle Injuries/*complications/surgery
Cumulative Trauma Disorders/*complications/surgery
Dancing/*injuries
Foot Injuries/*complications/surgery
Fractures, Stress/etiology/surgery
Hallux Rigidus/complications
Hallux Valgus/complications
Humans
Metatarsalgia/complications
Tendinitis/complications Jun/ This review focuses on many of the foot and ankle injuries commonly seen among dancers. These unique athletes place extreme demands on their musculoskeletal system and thereby face a variety of acute and overuse injuries. Conservative treatment is successful in the majority of cases, but these patients often continue to dance while healing--commonly prolonging and at times complicating treatment. When surgery is being contemplated, the dancer's performance level and expectations about returning to dance after surgery should be thoroughly explored. Foot and ankle surgeries that routinely yield good to excellent results in the general population can prematurely end a dancer's otherwise promising career. The physician must consider all these factors when designing an appropriate treatment plan for a dancer.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15239359 1 1078-4519
Journal Article
Review
Review, Tutorial 15239359 Department of Orthopaedic Surgery, Division of Sports Medicine and Shoulder Reconstruction, Tulane University Medical School, New Orleans, Louisiana, USA.~? Shin, C. S.
Davis, B. A. 2005] Femoral neuropathy due to patellar dislocation in a theatrical and jazz dancer: a case report 1258-60 Arch Phys Med Rehabil 86 6 JunJ Abstract Shin CS, Davis BA. Femoral neuropathy due to patellar dislocation in a theatrical and jazz dancer: a case report. Arch Phys Med Rehabil 2005;86:1258-60. This case report describes a teenage female, high-level modern dancer who suffered multiple left patellar dislocations. Her history is atypical in that after her fifth dislocation, her recovery was hindered secondary to persistent weakness and atrophy of her quadriceps out of proportion to disuse alone. Electrodiagnostic studies and magnetic resonance imaging showed evidence of a subacute femoral neuropathy correlating chronologically with her most recent patellar dislocation. This case suggests that further diagnostic study may be warranted in patients with persistent quadriceps weakness or atrophy after a patellar dislocation, because this may suggest the presence of a femoral neuropathy. This is important because the strength training goals and precautions differ in disuse atrophy and a neuropathy. We believe this is the first reported case of a femoral neuropathy associated with the mechanism of a patellar dislocation.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15954069 0003-9993
Journal Article 15954069
? i $ Torstveit, M. K.
Sundgot-Borgen, J. 2005? The female athlete triad: are elite athletes at increased risk? 184-193' Medicine & Science in Sports & Exercise 37 2
Purpose: The aim of this study was to examine the percentage of elite athletes and controls at risk of the female athlete triad.
Methods: A detailed questionnaire, which included questions regarding training and/or physical activity patterns, menstrual history, oral contraceptive use, weight history, eating patterns, dietary history, and the Body Dissatisfaction (BD) and Drive for Thinness (DT) subscales of the Eating Disorder Inventory (EDI), was prepared. The questionnaire was administered to the total population of female elite athletes in Norway representing the national teams at the junior or senior level, 13-39 yr of age ( N = 938) and nonathlete controls in the same age group ( N = 900). After exclusion, a total of 669 athletes (88%) and 607 controls (70%) completed the questionnaire satisfactorily.
Results: A higher percentage of controls (69.2%) than athletes (60.4%) was classified as being at risk of the Triad ( P < 0.01). A higher percentage of controls than athletes reported use of pathogenic weight-control methods and had high BD subscale scores ( P < 0.001). However, more athletes reported menstrual dysfunction and stress fractures compared with controls ( P < 0.05). A higher percentage of both athletes competing in leanness sports (70.1%) and the nonathlete control group (69.2%) was classified as being at risk of the Triad compared with athletes competing in nonleanness sports (55.3%) ( P < 0.001). Furthermore, a higher percentage of athletes competing in aesthetic sports (66.4%) than ball game sports (52.6%) was classified as being at risk of the Triad ( P < 0.001).
Conclusions: More athletes competing in leanness sports and more nonathlete controls were classified as being at risk of the Triad compared with athletes competing in nonleanness sports. The Norwegian University of Sport and Physical Education, Oslo, Norway; and 2The Norwegian Olympic Training Centre, Oslo, Norway? / Whipple, T.
Plafcan, D.
Sebastianelli, W.J. 2004D Manipulative treatment of hip pain in a ballet student: a case study 53-5# Journal of Dance Medicine & Science 8 2 A 14-year-old female ballet student was referred to physical therapy for examination and treatment of left inguinal region pain. A single session of non-thrust manipulation resulted in an immediate and lasting improvement in symptoms. This case report includes a description of the relevant examination and treatment procedures as well as a discussion of hip instability and the acetabular labrum.V Penn State Orthopaedics, 1850 East Park Ave, Suite 112, University Park, PA 16803-6705
x ~? 3 West, J.
Otte, C.
Geher, K.
Johnson, J.
Mohr, D. C. 2004Z Effects of Hatha yoga and African dance on perceived stress, affect, and salivary cortisol 114-8
Ann Behav Med 28 2 Adolescent
Adult
*Affect
Africa
Dancing/*psychology
Female
Humans
Hydrocortisone/analysis
Male
Research Support, Non-U.S. Gov't
Saliva/chemistry
*Stress, Psychological
Yoga/*psychology Oct! BACKGROUND: Dance and yoga have been shown to produce improvements in psychological well-being. PURPOSE: The aim of this study was to examine some of the psychological and neuroendocrine response to these activities. METHODS: Sixty-nine healthy college students participated in one of three 90-min classes: African dance (n = 21), Hatha yoga (n= 18), or a biology lecture as a control session (n = 30). Before and after each condition participants completed the Perceived Stress Scale (PSS), completed the Positive Affect and Negative Affect Schedule, and provided a saliva sample for cortisol. RESULTS: There were significant reductions in PSS and negative affect (ps < .0001) and Time x Treatment interactions (ps < .0001) such that African dance and Hatha yoga showed significant declines, whereas there was no significant change in biology lecture. There was no significant main effect for positive affect (p = .53), however there was a significant interaction effect (p < .001) such that positive affect increased in African dance, decreased in biology lecture, and did not change significantly in Hatha yoga. There was a significant main effect for salivary cortisol (p < .05) and a significant interaction effect (p < .0001) such that cortisol increased in African dance, decreased in Hatha yoga, and did not change in biology. Changes in cortisol were not significantly related to changes in psychological variables across treatments. There was 1 significant interaction effect (p = .04) such that change in positive affect and change in cortisol were negatively correlated in Hatha yoga but positively correlated in Africa dance and biology. CONCLUSIONS: Both African dance and Hatha yoga reduced perceived stress and negative affect. Cortisol increased in African dance and decreased in Hatha yoga. Therefore, even when these interventions produce similar positive psychological effects, the effects may be very different on physiological stress processes. One factor that may have particular salience is that amount of physiological arousal produced by the intervention.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15454358 ( 0883-6612
Clinical Trial
Journal Article 15454358+ Reed College, USA. jeremy.west@stanford.edu~?
8 Alricsson, M.
Harms-Ringdahl, K.
Eriksson, K.
Werner, S. 2003 The effect of dance training on joint mobility, muscle flexibility, speed and agility in young cross-country skiers--a prospective controlled intervention study 237-436 Scandinavian Journal of Science and Medicine in Sports 13 4 Aug We evaluated a short-term (3 months) and a long-term (8 months) effect of dance training on joint mobility and muscle flexibility of the spine, hip and ankle and on speed and agility in young cross-country skiers. Twenty elite cross-country skiers - aged 12-15 years - participated in the study. Five males and five females received dance training (intervention group) and five males and five females did not dance (reference group). Joint mobility and muscle flexibility of the spine, hip and ankle joints were measured using a goniometer, a kyphometer, a measuring tape and a ruler. Two sports-related functional tests - the slalom-test and the hurdle-test - were also performed. These measurements/tests were performed before the start of the dancing period and after 3 and 8 months. The subjects from the intervention group increased their speed with 0.3 s after 3 (P = 0.05) and 8 months (P = 0.02), respectively, when measured with the slalom-test. They also improved their speed and agility according to the hurdle-test after 3 months with 0.8 s (P = 0.000) and 8 months with 0.6 s (P = 0.01). Furthermore, they increased flexion-extension of the thoracic spine with 7.5 degrees after 3 months (P = 0.05) and with 9 degrees degrees after 8 months (P = 0.03) and lateral flexion of the spine with 0.04 m (P = 0.005) and 0.03 m (P = 0.02) after 3 and 8 months, respectively. The reference group was impaired or unchanged in the studied parameters after both 3 and 8 months. We conclude that dance training has a positive effect on speed and agility and on joint mobility and muscle flexibility in flexion-extension and lateral flexion of the spine in young cross-country skiers.e http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=12859606, 0905-7188
Evaluation Studies
Journal Article 12859606f Section of Sports Medicine, Department of Orthopaedic Surgery, Karolinska Hospital, Stockholm, Sweden. ~? 5 Wyon, M. A.
Abt, G.
Redding, E.
Head, A.
Sharp, N. C. 2004C Oxygen uptake during modern dance class, rehearsal, and performance 646-9 J Strength Cond Res 18 3 Adult
Comparative Study
Dancing/*physiology
Female
Heart Rate/physiology
Humans
Male
Oxygen Consumption/*physiology
Physical Education and Training/methods Aug The aim of the present study was to examine whether the workload, expressed in oxygen uptake and heart rate, during dance class and rehearsal prepared the dancer for performance. Previous research on the demands of class and performance has been affected by equipment limitations and could only provide limited insight into the physiological demands placed on the dancer. The present study noted that dance performance had significantly greater mean oxygen uptake and heart rate than noted in both class and rehearsal (p < 0.05). Further analysis noted that, during class and rehearsal, heart rates were rarely within the aerobic training zone (60-90%HRmax, where HRmax is the maximum heart rate). Dance performance placed a greater demand on the aerobic and anaerobic glycolytic energy systems than seen during class and rehearsal, which placed a greater emphasis on the adenosine triphosphate-creatine phosphate system. Practical implications suggest the need to supplement training within dance companies to overcome this deficit in training demand.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15320648 ( 1064-8011
Clinical Trial
Journal Article 15320648k School of Sport, Performing Arts and Leisure, University of Wolverhampton, United Kingdom. m.wyon@wlv.ac.uk ~? # Bronner, S.
Ojofeitimi, S.
Rose, D. 2003h Injuries in a modern dance company: effect of comprehensive management on injury incidence and time loss 365-73 Am J Sports Med 31 3G Adult
Dancing/*injuries
Female
Humans
Incidence
Male
Middle Aged
New York/epidemiology
Occupational Diseases/*epidemiology/*prevention & control
Primary Prevention
Prospective Studies
Research Support, Non-U.S. Gov't
Retrospective Studies
Sick Leave/statistics & numerical data
Workers' Compensation/statistics & numerical data May-Jun BACKGROUND: Professional dancers experience high rates of musculoskeletal injuries. OBJECTIVE: To analyze the effect of comprehensive management (case management and intervention) on injury incidence, time loss, and patterns of musculoskeletal injury in a modern dance organization. STUDY DESIGN: Retrospective/prospective cohort study. METHODS: Injury data were analyzed over a 5-year period, 2 years without intervention and 3 years with intervention, in a modern dance organization (42 dancers). The number of workers' compensation cases and number of dance days missed because of injury were compared across a 5-year period in a factorial design. RESULTS: Comprehensive management significantly reduced the annual number of new workers' compensation cases from a high of 81% to a low of 17% and decreased the number of days lost from work by 60%. The majority of new injuries occurred in younger dancers before the implementation of this program. Most injuries involved overuse of the lower extremity, similar to patterns reported in ballet companies. Benefits of comprehensive management included early and effective management of overuse problems before they became serious injuries and triage to prevent overutilization of medical services. CONCLUSIONS: This comprehensive management program effectively decreased the incidence of new cases and lost time. Both dancers and management strongly support its continuance.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=12750128 0363-5465
Journal Article 12750128d Analysis of Dance and Movement (ADAM) Center, Long Island University, Brooklyn, New York 11201, USA.~?
( Kodama, N.
Honjo, M.
Maki, J.
Hukuda, S. 2004] Osteochondritis dissecans of the talus treated with the mosaicplasty technique: a case report 195-8 J Foot Ankle Surg 43 3 Adult
Ankle Joint/surgery
Cartilage, Articular/*transplantation
Femur/transplantation
Humans
Knee Joint/surgery
Male
Osteochondritis Dissecans/*surgery
Talus/*surgery May-Jun# The authors present the use of osteochondral autografting with mosaicplasty technique performed on a 20-year-old man for a large osteochondral talar dome lesion. The patient had sustained a right ankle sprain many times while playing rugby football. The lesion measured 15 mm in diameter and encompassed more than one-third of the articular surface. After exposing the talus to a medial malleolar osteotomy, 3 osteochondral grafts taken from the medial femoral condyle of the ipsilateral knee were press-fit into the lesion. One year postoperatively, the patient has returned to playing rugby football. Radiographically, there was incorporation of the grafts. The authors believe that the mosaicplasty technique presents a promising new option in the treatment of osteochondritis dissecans of the talus.f http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&dopt=Citation&list_uids=15181438 &